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I make animated content with AI tools: short films, sales trailers, music videos, all as a one-person studio based in Helsinki, Finland. Before this, I spent 25 years in animation production, including building the Angry Birds animation studio and working on projects for clients like Warner Bros. Animation. Every week I share what I'm learning: which AI tools really work in a production pipeline, where they break down, and what the shift to AI-assisted animation means for studios, producers, and creators. These are production notes from someone who's shipping real projects.
File under... by Nick Dorra An AI bot as a colleague If you haven't come across OpenClaw yet, it's the open-source AI agent that went viral earlier this year. It runs locally or on virtual servers and can actually do things on your machine, not just chat about them. ComfyUI is the node-based tool that a lot of the serious AI image and video work runs through these days. I had avoided learning ComfyUI for two years, but then I got on an OpenClaw bot to set it up for me, and it all felt...
The 1+1 newsletter by Nick Dorra Is the gap between creator standards and audience needs widening? I was reading out of a children's book the other day, when a sailboat illustration caught my eye. At first glance, I was delighted - finally, someone had drawn a boat that actually looked like a real sailboat! They'd drawn a 7/8 fractional rig, included the reinforcement at the head of the mainsail, and several other technical details that really had me convinced.But when asked to read the story...
The 1+1 newsletter by Nick Dorra “AI won’t replace human art” - but let’s unpack what Demis Hassabis actually means On the latest episode of NYT’s Hard Fork, Google DeepMind CEO’s speaks to the limits of AI in art/storytelling/film, and I think we need nuance in how we interpret this: Breaking Down the "Soul" Statement When Hassabis says “a novel written by a robot might not feel like it has a soul,” some will hear: “any AI content will always lack soul.” But that’s not what he’s getting at....